Everybody Loves Raymond is an American television sitcom starring Ray Romano, Patricia Heaton, Brad Garrett, Doris Roberts, and Peter Boyle. It originally ran on CBS from September 13, 1996, to May 16, 2005. Many of the situations from the show are based on the real-life experiences of Romano, creator/producer Phil Rosenthal and the show’s writing staff. The main characters on the show are also loosely based on Romano’s and Rosenthal’s real-life family members.

The show reruns in syndication on various channels, such as TBS, TV Land, and in most TV markets on local stations. From 2000 to 2007, KingWorld distributed the show for off-network syndication and Warner Bros. Television Distribution handled international distribution. In 2007, CBS Television Distribution took over King World’s distribution. CBS only owns American syndication rights; ancillary rights are controlled by HBO and Warner Bros. Television.

Suresh wants to be a big dancer to fulfill his mother’s wish. Vinnie wants to be the best hip-hop dancer. They are childhood friends. They form a team and participate in a national level competition “Hum Kisi Se Kum Nahin” where they are disqualified as their moves are copied and everyone calls them cheaters. Everyone departs to search for jobs. Suresh plans to remove the negative tag by winning the hip-hop competition in Las Vegas. One day he watches Vishnu dance in the bar and convinces him to be their choreographer. They audition for people and collect the team.

Kaori Aso lives in the wealthy family. She cheated her stepmother that she has been kidnapped by somebody. Unfortunately, Aso’s accomplice really kidnapped Aso and her stepmother and forced them to play SM games. Aso’s driver tried to rescue them, however…

The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.